Sinister and Mister Boogie
Sinister is a once-off horror movie. That’s kind of the issue with jump-startle heavy movies. You enjoy the ride the first time around, but after that, you know what to expect and when to expect it. It’s a damn shame, too. Sinister had a lot going for it. It had an overall eerie tone that built up the jump scares, the visuals were simple but effective, and the acting was pretty darn good. Had some good characters in there.
Ellison Oswalt is a writer of true-crime books, and for his most recent project, he has moved his family into a home close to a crime scene. Rather, four murders and a kidnapping took place in the backyard. He makes a point to avoid telling his wife and two children this, however, as he thought it would disturb them. It does more than that, to say the least.
Ellison discovers a box in his attic containing a projector and several super 8 film reels. These morbid home movies contain footage of families being executed in terrible ways, from being hung from a tree to being tied to a lawn chair and drowned. According to the dates on the reels, these films all happened in a sequence of what appears to be related murders. In all cases, a single child was found to be missing.
After converting the films to digital files, he begins to notice a strange, recurring symbol, and finds a strange-looking person in the water of the murder pool. He prints several pictures, which leads the audience to discover that creepy-face is going to be the antagonist.
The startle-fest begins before that, though. Their son, Trevor, has night terrors, so he’ll get you first. After Ellison chats with the occult criminologist about Bughuul, it all goes downhill from there. Startle-wise, I mean. The projector starts turning on in the middle of the night, and Elly-baby starts seeing some freaky shit. Eventually, things get so bad that he decides to drop his new project entirely. He burns the reels and projector, then moves his family back to their old home.
Bughuul follows and provides their attic with extended cuts from the morbid morbid movies. The criminologist guy mentioned that Bugpool liked to possess children and lure them into his dimension through captured images. Ellison asked him if getting rid of the images would stop Boggle from coming, and received no legitimate answer. As it turns out, the answer was no. That basically spoils the ending, but you’re in it for the startles, not the plot.
And that’s about all there is to say about Sinister. A 110 minute jump-fest with some snazzy special effects and far too many late-night exploration gimmicks. I have two issues with Sinister, however. The first is that the use of musical cues makes the scares too obvious. It sets them up well, to say the least, but it also gives them away. This leads into my second issue, which is the use of noise to amplify the startles. When a jump-scare happens, the music will get ten times as loud.
I almost feel inclined to provide you with a jump timeline. I’m not gonna do that, though. As I mentioned, Sinister is only good for one watch. Once you know when the scares are going to pop up and the music is going to go DUNNN, then you have nothing to fear from this flick. It’s a great movie, don’t get me wrong, but now it’s out of theatres. If anything, rent it or check it out on Netflix.
John Campea of TheMovieBlog thinks Sinister ruined itself by showing one of the tension builders in the trailer, and I’m partially inclined to agree. I only say partially because Sinister is creepy from the get-go. They start off by showing the hanging of a family, and the creepy projector comes soon after. Regardless of what the trailer shows, a shocking spree it be. If you sit down and watch, you won’t care about the ending. You’ll be more concerned about the musical score’s elevated tempo. In fact, by the end, you won’t even want to watch it again. Probably. Here’s the review link: http://themovieblog.com/2012/review-sinister/