RoboCop is a classic of sci-fi corporate/criminal warfare. With a greater plot and cluster of subplots to direct the audience’s attention, the odds are you’ll have a lot to catch up with if you miss a part. Mixing stop-motion, spiffy makeup and badass outfits, RoboCop is as much about the flash and flair of the cybernetic age as it is about the complex sequence of events that lead up to the death of the a member of Omni Consumer Products.
Dick Jones presents to the chairman of OCP a new line of mechanical law enforcers, the ED-209. During its exhibition, it murders an executive attempting to perform a disarming procedure. Thus, Bob Morton steps in and offers up RoboCop, the revolutionary cyborg police officer. Since nobody is quite willing to sacrifice their body for the sake of this project, Bob turns to the Detroit police. He keeps tabs on high-risk operations, eventually nabbing Alex Murphy as his candidate.
Murphy has a bad run when trying to take down notorious crime lord Clarence Boddicker at an abandoned warehouse, and is shot to death. Bob’s crew claims the corpse and builds it into RoboCop! Crime gradually begins to taper off with this big guy on duty. Only, despite his memory wipe, he’s starting to flash back to his past, little by little.
Off on the side, Bob makes some unpleasant remarks about Dick, which earns him an assassination by none other than Clarence himself. Apparently, Dick is in deep with several crime families, and he’s looking to lead the company after the old CEO dies. Ruling with an iron fist, likely enough. Unfortunately for Dick, Murphy’s memories lead RoboCop back to Clarence, which could expose the entire operation.
When RoboCop tries to reveal the video he recorded that documented Clarence’s admission of working with Dick, the secret fourth protocol disables him. Dick then activates ED-209 in an attempt to destroy RoboCop, which fails miserably. But with this protocol in place, how can RoboCop arrest the man who set all the loopholes in place?
That about covers the almost non-spoiler synopsis, anyway. As for the quality of the actors, props, effects… It’s about on-par with what you’d expect from a late 80’s sci-fi movie. Stop-motion, borderline silly lines from the robo-cop, criminals with enough spunk to do stand-up comedy. You get the concept. In this particular movie, however, these things blend and flow; no sudden stops to realize how stupid something is. It’s a classic for a reason, kay?
The final bit of commentary I have for RoboCop is: Doin’ it right. If you don’t know how to go about making a cyborg, do it in as vague a way as possible. That way people can’t say you did it wrong. How clever, says this observer.
For those who are more aware of corporate and political matters, James Berardinelli’s review is the one for you. He describes the movie as a “biting satire of big business practices.” Looking back after having viewed RoboCop again, I certainly do agree. But that hardly matters, since I’m about as aware of business crap as I am of how Mark Wahlberg keeps getting acting jobs. Non sequitur zing! Here’s the link, before I get too distracted: http://www.reelviews.net/php_review_template.php?identifier=1716