Who Ya Gonna Call? Why, Ghostbusters, of Course
So pick up your phone and call! Ghostbusters! Or, you know, you could call me so you can hear my review of the movie. Or you could read this, I suppose. It’ll have to do. The preliminary outlook of this beloved 1984 flick is overwhelmingly positive. Who doesn’t like watching two nerds, a hornball nerd, and a cynical black guy go around capturing blobby looking ghosts? That’s the general idea, anyway. On with the review!
Peter Venkman, Raymond Stantz, Egon Spengler, and Winston Zeddmore (who comes in later) make up the quarter of specter snaring cadres. The three fellows are in college studying psychology, parapsychology, and the like, but in reality are trying to engage themselves in what I’ll term “spiritual activity.” In the first scene, the three catch wind of an unusual library disturbance, and their final plan is to run up to the ghost and “GET HER!” Ray’s plan, obviously. It fails spectacularly, but sets the tone for the rest of the movie.
A little bit of character description should help clarify things. Ray is the overenthusiastic ditz of the crew; intelligent, but prone to critical blunders. He provides the more childish perspective. Egon is the hardcore nerd. He handles all the major gear, planning, and statistics, while not offering too much in regards to characterization. Peter is what we could call the flirty, skeptical comedy relief. Early in the movie, he’s using a psychic test to pick up a cute blonde girl, then later on he tries to hook up with one of the Ghostbusters’ clients. Winston doesn’t play too huge a role, but manages to input a fair amount of cynical commentary before the curtains fall.
Then there’s Dana. She’s one of the Ghostbusters’ later jobs. After, of course, the Ghostbuster crew is kicked out of their college, forced to buy a borderline condemned building, and kick off their business with some advertising. In her apartment, eggs begin to cook themselves on the counter, and a colossal dog-like demon roars “ZUUL” at her from her refrigerator. If I were her, I would just move, but calling the Ghostbusters is also an acceptable stratagem.
This is all relevant, of course. Zuul is a follower of Gozer, who is an ancient Sumerian god that wants to wreak nonspecific havoc on the living world. Egon points out that the obscene number of ghosts they’ve captured point to a major event. After all, the rising of so many ghosts must mean something, right? It does indeed. It turns out that the apartment building Dana lives in is a catalyst for spiritual activity, and it acts as the beacon that brings Gozer the Gozerian back into the physical world.
An agent of the EPA, Walter Peck, shuts off the protective grid around the ghost storage facility because of a grudge. Dana, who has been possessed by Zuul, and Louis (her neighbor), who has been possessed by Vinz Clortho, use the pandemonium caused by the spirit breakout to meet up. Gatekeeper and Keymaster are united, and the door to Gozer’s dimension opens.
I’m not telling what happens next, because it’s dramatic and awesome and spoilers aren’t nearly as fashionable as everyone says. The effects in this movie are hilarious in both good ways and bad, the humor ranged from subtle to laugh out loud, and the plot is enigmatic, sudden, and satisfying. Overall, Ghostbusters is a good movie for people of all ages, providing you lack the seriousness that would render most of Bill Murray’s humor useless. Peter Venkman is Bill Murray, by the way. See, now you have to watch it! You can’t not like Bill Murray. Enjoy!
If you want a second opinion that’s negative, you’re hard-pressed to find it. Andrew Pulver of The Guardian has some great things to say about Ghostbusters as well. Check his opinion out here: http://www.guardian.co.uk/film/2011/oct/27/ghostbusters-review